Rules for Creative Living: Rule #7 — Stewardship

A set of cupping hands supporting life denotes the concept of stewardship at every level: economic, environmental, and personal.

“You have the right to work, but for the work’s sake only. You have no right to the fruits of work.” — From the Bhagavad Gita

The idea of ownership is overemphasized today. We’re constantly working to obtain things: a home, a career, a relationship, and all kinds of other “stuff.” This preoccupation takes us away from the real responsibility to ourselves and the world at large — that of service. Such a change in understanding requires a change in our view of the things we work with and currently possess from one of ownership to one of stewardship.

Stewardship definition:

  1. the position and duties of a steward, a person who acts as the surrogate of another or others.
  2.  the responsible overseeing and protection of something considered worth caring for and preserving.

In other words, stewardship means being a good caretaker — of people, of things, of oneself. If someone should have the title of responsibility such as a producer or a director, he should be looking to do everything he can to enable the health and success of his team or staff, just as he would when looking after his family. But to do this job well, he must first look after that which is most essential, himself. The mind, body and spirit which encompasses him must be balanced and maintained if he is to be functional. A sick or weak caretaker is a lousy caretaker.

Therefore, it’s essential that each artist — if he is to honor his gift —  devote some time to the total care of his entire entity. If he can give as little as 5-10% of his day to maintaining his whole self then everything else that needs to be done in the day gets not only easier, but also much better. He must sharpen the saw and do so ritually.

a) Caring for the Mind:

“The energy of the mind is the essence of life.”― Aristotle, Philosopher

Being an artist, the mind is constantly at work. Creative work is mostly a mentally-stimulating activity; it requires much envisioning, researching, analysis and decision-making. This is perhaps the reason why art can never really be mastered. Art’s a continual dance between facing and overcoming challenges, an extraordinary process of dealing with the new that makes life interesting and meaningful.

But getting enough stimulus is rarely the problem. Our lives are excessively cerebral today. Our rational mind is constantly spinning and reacting to the overwhelming set of thoughts and emotions that come our way. So, although it’s necessary to activate the mind — via art or study — we must also remember to feed it and rest it. This entails segmenting part of our day for that to happen. I like to fill my mind every chance I get and everywhere I go — looking, touching, hearing whatever comes my way. These are things unrelated to my regular everyday concerns or obligations, kinda like stopping to smell the roses. But reading is usually what does the job for me most reliably. There’s nothing like some beautiful bedtime reading or sitting with a great novel by a good chair on a lazy Saturday afternoon.

“A book is a dream that you hold in your hand.” — Neil Gaiman, Writer

As for resting, good old fashioned sleep is probably best, although quieting practices such as Yoga, meditation, or prayer are also proven to be successful. It’s important to give our brains a chance to rest completely, to empty itself, so that it can be filled again with the good stuff.

Ancient Egyptian stone carvings reveal the practice of Yoga as far back as 3000 BC.

b) Caring for the Body:

“Take care of your body. It’s the only place you have to live.” — Jim Rohn, Entrepreneur

They say the body is the vessel which carries us in our short journey here on this planet. While we’re alive, this is most definitely true. But how many of us ignore or mistreat our bodies? We eat poor, exercise (move) far too little and a lot of us don’t even sleep well or much at all. Overwork, anxiety, regrets, and excessive visual stimuli (the dark side of technology) are all part of the problem. But the bottom line is we ALL KNOW we can do better. Artists, especially those in fields of design/animation/film, spend far too much time sitting, burning our  eyes out digitally and eating far too much ready-made/processed food. If we want to create good art we must take care of this vessel. A weakened body is one that performs poorly. This is true not just of athletes, but of actors and singers alike. These professionals have strict regimens as to exercise, sleep, food, alcohol consumption etc. Furthermore, a body neglected repetitively is one that takes much longer to heal. There are some people, like myself, who had to give up our careers because of physical issues. If the body stops, you stop. No amount of mind power can correct a damaged ship.

Assign 30 minutes a day minimum to move the body around. Eat better.

Healthy foods are good AND beautiful. You can never eat too many vegetables regardless of your religious/philosophical affiliations.

c) Caring for the Spirit:

“Life should be touched, not strangled. You’ve got to relax, let it happen at times, and at others move forward with it.” — Ray Bradbury, Writer

The word spirit is often associated with either religion or ghostly tales. But that’s not what we’re talking about here. Our spirit can also be the totality of our emotions, our passions and our energy. To lift one’s spirit is to be cheered up. Unfortunately, many people take either a very guarded or lackadaisical approach to managing their emotions. The excessively rational and conservative mind tries to hide it, control it or use it strategically to his advantage. He has no trust in his feelings or intuition leading to a life of uncompromising rigidity and self-righteousness. On the other side, the extremely carefree and liberal mind lives from moment to moment with no emotional balance, exuberantly passionate one moment and completely overwhelmed in fear/depression the next culminating into a life of chaos and self-indulgence. (The latter view is what our world typically assigns to artists even when it’s not true because it makes for better storytelling and marketing.)

In truth, neither approach to dealing with our emotional reality is optimal. We need balance for our creative juices to flow optimally. The successful and productive artist works hard to manage and flow with his emotions. In other words, he needs to be spiritually and emotionally healthy. But he can’t do that if deep-seeded issues remain locked up inside. Although these may drive him initially, more often than not they impede him AND his art. Testaments have shown that many great artists — such as Jackson Pollack and Ernest Hemmingway — who were once heavily attributed as “extreme or volatile” characters (as if it were a requirement for powerful work) were never inebriated when they worked. In fact, they often entered long periods of creative droughts when they struggled with their emotions and turned to the bottle or other forms of substance abuse. Why? Because this art stuff is really hard, requiring deep focus and an unburdened heart. How else could they have produced such beautifully balanced art?

Set aside times of the day or week to heal the heart. Spend more moments with things and people you love. Enjoy time with nature.

The Chinese have a single word for the spirit-heart-mind. They are viewed as one and the same.

Summary:

It’s all very simple. And it’s all common sense. Unfortunately, many of us don’t pay any heed to balancing our lives. If we want to create art and do it for a long time, then we must remedy this now, not tomorrow. We must be good stewards. Remember also, that the mind, body and spirit heavily effect each other. A crack in one seam leads to cracks in the others.

“If you push down emotional pain long enough it becomes physical pain.” — Marina Abramovic, Performance Artist.

Rules for Creative Living: Rule #6 — Detachment

 “And never have I felt so deeply at one and the same time so detached from myself and so present in the world.” — Albert Camus, Writer

With information so readily available, everything  so close and so immediate, we’ve become ever more attached to a world that seems to have gotten smaller and smaller even as the human population on this planet reaches 7.7 billion. And all the time we are busy with our thoughts — our desires, fears and feelings dominate almost every waking moment. Amidst this celebration of global communication and connection, we’ve become so self-absorbed that we’re no longer able to focus completely on the tasks that sit before us. Everywhere our attention is sought both from within and from without. This inability to concentrate nor hold a controlled or patient thought for any extended period of time is a huge danger to the creative (and to humanity at large). How then can we deal with this problem?

Steve Cutts satirical animated short film “Happiness.” The selfish preoccupied mind loses not only his ability to perform, he risks losing himself. 

The key to attention paradoxically has to do with not more intense attachment of ourselves to our preoccupations but our detachment from them. Detachment is an extension of humility. So the first step, clearly,  is to take our pride and ego out of the equation. Only then can our perspective and focus be guided towards more meaningful goals — goals that align with our truth.

Here are some steps we can take to be less attached to things that might impede our concentration and from the process of being a creative.

a) Have no desires/expectations.

“When an archer is shooting for nothing he has all his skill.
If he shoots for a brass buckle
He is already nervous.
If he shoots for a prize of gold
He goes blind
Or sees two targets –
He is out of his mind.

His skill has not changed, But the prize
Divides him. He cares,
He thinks more of winning
Than of shooting –
And the need to win
Drains him of power.”

— Chuang Tzu, Philosopher

Having goals doesn’t mean having expectations. Goals are mere targets, a direction to aim in. The divided mind — that is, the one that’s separately attending to the work while concerned with the impact the results of that work will bring — is doomed from the start. Personally, I have never seen this truth not play itself out. The path — the practice — is the only way towards success. The most interesting results come often as surprise and delight. This can’t happen if we expect it to, even if the results are as we hope. For all truly engaged action is detached action, and all detached action is unselfish action.*

*Paraphrased from the Hindu holy text, the Bhagavad Gita.

Phillipe Petit’s astounding 1974 high-wire stunt performed between the now defunct Twin Tower buildings in New York City is a testament to not only preparation and talent but detachment. Each moment (1350 feet from the ground) must’ve demanded every essence of his concentration on nothing but balance. From the documentary, Man on Wire.

b) Aim for quiet and simplicity.

“Only in the stillness of detachment can the soul yield up her secrets.” — Elsa Barker, Poet

Be in search of that still and small voice. The detached individual gives intuition a chance. This means really listening. In so doing, we become intensely present and proactive.  A receptive mind is one that’s forward-thinking. A mindset where the goal AND the action become one and the same. So whenever interruptive thoughts arrive — be it hope, doubt, fear or anxiety — we go back to listening. We simplify and realign ourselves to the work. We do not focus on our feelings about the task or the feelings about the feedback that our art gives us.  Instead, we assess the feedback and work with it — distancing ourselves while actively engaging ourselves at the same time. No emotional state should interfere; we choose to limit its impact. Like a meditation practitioner who turns away from the interruptive thoughts that emerge and returns to his breathing or mantra, the creative must do the same. This is no doubt incredibly difficult. We hop on the passion that drives us initially but do not allow it to throw us off course. Only via detachment do we stand a chance at accommodating the ebb and flow of things with grace.  Our emotions — which are usually reactive and self-concerning — can confuse our intuition and readily pull us down towards chaos. Once a creative journey has begun, we must exercise the discipline to carry it through.

c) Make no assumptions

“There is nothing so expensive, really, as a big, well-developed, full-bodied preconception.” ― E.B. White, Writer

Nothing might be as dangerous to mankind as assumptions. All miscalculation, misjudgement, and prejudice can find their roots here. Sometimes making assumptions might seem like a short cut to success, to gain quick approval or attain greater efficiency but the price we often pay is gross error and misconduct. For the artist, making assumptions slides us back into the misguided afflictions of  expectation and ego. It stands in the way of paying attention to what’s standing directly in front of us because we’re closing our eyes. Whether dealing with our tools, our craft or other individuals, making assumptions make us sloppy and careless, even negligent. So contrary to what a typically conservative mind might think, detachment doesn’t mean not caring in the ethical sense — in fact, it’s actually opposite — but caring deeply enough to sacrifice our own personal concerns for the sake of the doing the job right. Being detached means holding ourselves to the highest ethical standard by being absolutely devoted to the demands of the work (especially when it’s being done for the benefit of others.) And to do things right means to assume nothing before or during the process.

d) Acceptance and letting go

“Acceptance of what has happened is the first step to overcoming the consequences of any misfortune.” — William James, Psychologist

Letting go or overcoming difficult situations is perhaps one of the hardest things we have to do in life. The reason is because our powerful attachment to pain — of failure, loss, or regret — is deeply rooted in our biology. The remembrance of pain and painful situations serve as warnings and lessons. It’s designed to help us and protect us.  Unfortunately, the price we pay for this biological “advantage” is its incessant irritation and disruption to the creative process and the process of living. Clinging onto the past is detrimental to our state of mind. Often times, to do something great, we must move on from the past, even if it was good. I recently had to destroy a good painting in order to make it better. As long as I held on to what it was, I couldn’t move on. Unless we accept that life — and everything in it — is transient, we fossilize. Paralysis by analysis and the fear of change has its roots here. Only when we detach, can we move on. Once we accept that the past can’t be altered, we can grow and experience wonder — wonder that can only come from the risk of experiencing something new.

The creation and destruction of the Tibetan Sand Mandala serves not only as a meditative practice but that of developing existential understanding and acceptance of the transience of life and possible transcendence from ordinary existence.

Summary:

Having no attachments — to either the materialistic or the idealistic—  isn’t easy. But only when we are detached can we possibly find real connection with things outside of ourselves.

“It’s life that matters, nothing but life—the process of discovering, the everlasting and perpetual process, not the discovery itself, at all.” ― Fyodor Dostoyevsky, Writer