Vulnerability

Action painters like Franz Kline went all out in order to create the kind of spontaneity and power in their abstract paintings, forming huge architectural gestures with vibrantly charged brush strokes.

One must be in it and of it wholly. Before a subject can be transmuted aesthetically it must be devoured and absorbed. If it is a painting it must perspire with ecstasy.” — Henry Miller, Writer

Being an artist is both liberating and immensely difficult. Freedom (and authenticity) comes with the price of discipline. Part of that discipline is forcing ourselves to accept the need to be, at times, completely vulnerable. Our art demands it, else it won’t be true nor distinctly ours.

Everyone can recognize a Salvador Dali painting because he did things his way and his way only.

Our logical minds love to get in the way. Rationalizations and the ever-critical left-brain will always do its best to stop us from taking risks. If we hold back, we think that we’ll be less responsible for non-favorable outcomes. But what’s for certain is that we’ll also be far less invested. Perhaps this is why it’s so challenging to find the “best” answers to problems that matter. Creativity won’t lend itself to easy solutions or formulas; we can’t achieve ecstasy without anxiety or pain.

There are no rules to be established, no handy recipes to master, or you will produce nothing but industrial art.” — Henri Matisse, Artist

Sure, there are standards, and if the work is particularly commercial or industrial, then yes, by all means borrow and duplicate; it’ll work, at least for a short while. But if we want to create something new, something exciting, something that lasts, then we must get personally involved. This isn’t popular in today’s large scale corporate culture. Proposals and ideas fostering new approaches or products require research, time and patience — elements viewed as impediments in the drive for short term profits. Furthermore, we all know that groundbreaking work is isn’t easily nor readily accepted. Doing anything new, let alone art, will ALWAYS be challenged.

Art, all art, not just painting, is a foreign city, and we deceive ourselves when we think it familiar. No one is surprised to find a foreign city follows its own customs and speaks its own language. Only a boor would ignore both and blame his defaulting on the place. Everyday this happens to the artist and the art.” — Jeanette Winterson, Writer

The fact that no one wanted his paintings didn’t stop Vincent Van Gogh from continuing to create his art. He produced over 2000 pieces in less than 10 years

Therefore, the artist must remain steadfast and courageous. He must dare to be kind, open and different, to be utterly and completely vulnerable — traits society tells us endanger his very being. But he mustn’t compromise vision or instinct on behalf of fear and insecurity. The monkey brain obsessed with codes and dollar signs — which can carry with them a very convincing allure of certainty — must be ignored.

“Creativity requires the courage to let go of certainties.” — Erich Fromm, Pyschologist

The irony is that there is no such thing as security. If there’s one thing that’s certain in this universe, it’s change and unpredictability. Taking chances and trying new things is not just a way to find personal fulfillment, but the only way forward for mankind. Unfortunately, as much as man has achieved in terms of industrial advances and new technology, the mindset of society is still one of scarcity as the obsessive concentration of wealth and power — often at the expense of many others — continues to dominate our world. Historical hierarchical structures are no longer efficient or pragmatic in a world of almost 8 billion people with vast means of instant communication. Clinging to the old standards of education and careers for security might, ironically, become the one way to lose it in today’s ever-changing world.

“The only people who get paid enough, get paid what they’re worth, are people who don’t follow the instruction book, who create art, who are innovative, who work without a map. That option is now available to everyone, so take it.” — Seth Godin, Writer/Marketer

Tonko House, founded by Dice Tsutsumi and Robert Kondo, is a new animation studio doing things their own ethical and innovative way.

I suspect within the next 25 to 30 years, the world will look vastly different from the one that’s in front of us now. Artists and non-artists alike will be taking a more personal and “artistic” approach to living; no dogmas, no rules, no restrictions on how to be. There will be an opportunity, perhaps even a self-driven obligation, to engage in life and doing a craft, whatever that may be, fully attentive and fully committed. A life of connection rather than one of accumulation.  Process over product, throughout the day, every day.

To let each impression and each germ of a feeling come to completion wholly in itself, in the dark, in the inexpressible, the unconscious, beyond the reach of one’s own intelligence, and await with the deep humility and patience the birth-hour of a new clarity; that alone is living the artist’s life; in understanding as in creating.” — Rainer Maria Rilke, Poet

Ultimately, we can’t do our best holding ourselves back, producing “safe” work. Nor will we ever find real joy and truth in our actions should we act according to other people’s opinions. Personally speaking, the only regrettable mistakes I’ve ever made always involved choosing an outside voice over my own. That kind of pain stays with you for a long long time.

Clint Eastwood’s Million Dollar Baby (2004) was a film no studio wanted to make. This brilliant character study, which Eastwood produced, directed, acted and scored, would eventually win Oscars for best picture, best director, best actress and best supporting actor.

If you’re gonna fail, it’s better to fail on your own terms and not someone else’s.” — Clint Eastwood, Actor/Director

Inspiration

The Firebird Phoenix has been used as the symbol of rebirth since ancient Egypt, and has been adopted by many cultures, both Western and Eastern.

In light of the start of another year, I want to share a few quotes from some of the most inspiring creators whose words are both personal and wise. They are a reminder of the fact that life is a long journey, that it’s both challenging and unexpected, a constant birthing and rebirthing process where we must continually overcome the obstacles that might impede our focus as to what’s most important — working on our craft. They’re also a call to being true to ourselves at every opportunity, knowing that it’s our responsibility to become the best that we can be, as cliché as that may sound.

The following words are the kind that have kept me moving forward over the years so that I may not fall prey to that deadening complacency caused by fear or the pain of failure; they are a call to living fully and fulfilling a destiny. May they also inspire you to contemplate the power and responsibility of our work as creators.

On the creative life being a magnificent, mysterious and unpredictable journey:

“A man does not go forward through life along a straight, horizontal path; he does not stop at the station indicated on a timetable; he goes off the track completely; sometimes he dives below and is lost for a time, or he takes to the air and is flung against the side of a steep cliff… what goes on at every moment in the life of each and every man is something forever unfathomable and inexhaustable to relate. No man can possibly relate the whole story, no matter how limited a fragment of his life he chooses to dwell on. It’s in this mysterious aura in which we live and struggle which interests me profoundly.” — Henry Miller, Henry Miller on Writing.

On resistance, fear and the imposter syndrome:

“Self-doubt can be an ally. This is because it serves as an indicator of aspiration. It reflects love, love of something we dream of doing, and desire, desire to do it. If you find yourself asking yourself (and your friends), “Am I really a writer? Am I really an artist?” chances are you are. The counterfeit innovator is wildly self-confident. The real one is scared to death… fear is an indicator. Fear tells us what we have to do. Remember our rule of thumb: The more scared we are of a work or calling, the more sure we can be that we have to do it.” — Steven Pressfield, The War of Art

On the hope that our work has meaning and warrants attention:

“We know that the universe is infinite, expanding and strangely complete, that it lacks nothing we need, but in spite of that knowledge, the paradigm of human life is lack, loss, finality, a primitive doomsaying that has not been repealed by technology or medical science. The arts stand in the way of this doomsaying. Art objects. The nouns become an active force not a collector’s item… The cave wall paintings at Lascaux, the Sistine Chapel ceiling, the huge truth of Picasso, the quieter truth of Vanessa Bell, are part of the art that objects to the lie against life, against the spirit, that it is pointless and mean. The message coloured through time is not lack, but abundance. Not silence but many voices. Art, all art, is the communication cord that cannot be snapped by indifference or disaster. Against the daily death it does not die.” — Jeanette Winterson, Art Objects.

On the need for distraction-free time and silence:

“When I was a younger man, art was a lonely thing. No galleries, no collectors, no critics, no money. Yet it was a golden age, for we all had nothing to lose and a vision to gain. Today is is not quite the same. It is a time of tonnes of verbiage, activity, consumption. Which condition is better for the world at large I shall not venture to discuss. But I do know, that many of those who are driven to this life are desparately searching for those pockets of silence where we can root and grow. We must all hope we can find them.” — Mark Rothko, The Artist’s Reality

On working and love:

“… all work is empty save when there is love; when you work with love you bind yourself to yourself, and to one another, and to God. And what is it to work with love? It is to weave the cloth with threads drawn from your heart, even as if your beloved were to wear that cloth. It is to build a house with affection, even as your beloved were to dwell in that house. It is to sow seeds with tenderness and reap the harvest with joy, even as if your beloved were to eat the fruit. It is to charge all things you fashion with a breath of your own spirit, And to know that all the blessed dead are standing about you and watching.” — Kahlil Gibran, The Prophet.

14th Century Tibetan Mandala. Mandala’s have represented everything from beauty to spiritual growth and abundance.

May the new year bring great joy, good health and creative abundance to all of you who come here.