Roots of Words

Latin stone tablets. The origins of many of the words we use today come from ancient Latin, Greek or Sanskrit.

“Gentle words bring life and health; a deceitful tongue crushes the spirit.” — Christian Proverb

Today I’d like to focus on words, specifically the roots of words and their meanings. In an age where words have become slogans, often politicized and sometimes trivialized, their true meanings have, in some cases, become so distorted or even perverted, that they have come to infer something entirely different from its original intention and all its profundity.

In art, we know the power of symbols — their ability to incite emotion and initiate thought. Words are a convenience of communication that have, over humankind’s history, come to signify so much more than mere dialogue. By looking at the roots of words, we might see and learn to understand the profound meaning and intentions that lie at their origins. I think they are well worth pondering.

illusion:

Usually meaning falsity, misrepresentation or deception, its roots belong to the latin word ludere which means to play. So rather than being viewed as a negative, illusion or maya (its root word in ancient Sanskrit) signifies the game of life or theatre — a place of fun, exploration and make-believe. As artists, we know that to create means to dive into our imaginations. In order to bring about the most amazing magic — to form the most believable of illusions — and turn our dreams into beautiful physical expression, inventive play is absolutely necessary. Therefore, to solve our multitude of challenges, and to do so creatively, means to have a childlike mindset of playfulness.

“We don’t stop playing because we grow old; we grow old because we stop playing.” — George Bernard Shaw, Playwright

noise:

Commonly thought of only as it relates to sound or hearing, noise actually has its roots in the word nausea signifying physical disturbance or sickness. One French definition for noise is parasite describing again how offensive and invasive noise is to the human mind and body. Today, we’re ceaselessly bombarded by noise — industrial, vehicular, television & radio, smartphones, advertising and even our own conditioned thoughts — that it seems almost impossible to avoid it in modern society. Yet to create, we must find solace from distraction and consciously form environments that allow us to listen and see more clearly, for without clarity, there can be no vision.

“Out, beyond ideas of wrongdoing and rightdoing, there is a field. I’ll meet you there. When the soul lies down in that grass, the world is too full to talk about.”― Rumi, Poet

responsibility:

This much dreaded word of today comes from the combination of the Latin words respondere, meaning to respond, and the word abilitas, meaning ability. So in a sense, responsibility represents not burden but rather opportunity — the opportunity and ability to respond. Hence, responsibility is something we should crave rather than dread because it means that we decide; we make the present and the future. This is incredibly hopeful without being utopian.

In dreams begin responsibilities.” — W. B. Yeats, Poet

idea:

Before this word came into its more crystallized form to mean the “result of thinking or concept” it originally referred to the nature of something, its mode or fashion. In a sense, it refers to the look of something, the seeing of it. Its form originates from the Greek term wide-es-ya, suffixed from the root of weid “to see.” Therefore, to form ideas, is to see them and to see them as true as we can. I’ve always believed that to form ideas, we must learn to see with our eyes and minds wide open. The most visionary, the most creative of us, are truly attentive, truly great at seeing.

“Everything has beauty, but not everyone sees it.” Confucius, Philosopher

passion:

Passion has its roots from the Latin word passio, meaning suffering or if going deeper, it tracks back to the word passivus or pati, to be capable of deep feeling or suffering without activity or without resistance. So when we think of being very passionate about something, it really means to suffer from it, to be completely vulnerable to it. Perhaps this is why, without suffering or giving in, we can not find true beauty or meaning behind things. It is not surprising then, that the word compassion, which means to feel pity or togetherness for, has its roots in understanding someone else’s pain — their sorrow — and hence come to mean real kindness and understanding, the very virtues seriously required to be human.

“Sorrow is deeply related to beauty.” — Jiddu Krishnamurti, Philosopher

fear:

The word fear has its roots in the word phobia, coming from the Greek word Phobos which means irrational fear or horror. The Anglo-Saxon usage of the term refers to ambush or real physical danger. Today, fear pervades of all of our minds. Our modern “economy-focused” culture today leans heavily on the idea of fear to motivate us into action; to doing what we don’t want to do (like undesirable labour) and to consume (in order to alleviate that fear). Those terrible fears of not having enough money, of lacking real talent or not receiving love from others cause many in our society to live in constant terror. Yet, not much of this fear is genuinely real or immediately dangerous. Our fears today reside primarily in the mind, in our thoughts. As its root word implies, most of it is just worry.

“I have been through some terrible things in my life, some of which actually happened.”― Mark Twain, Writer

discipline:

Discipline often infers obedience or the punishment implied as a result of deviation from such obedience. But before its distortion into becoming the French word we know now, the roots of discipline come from the Latin word disciplina, meaning disciple or pupil. So, to be disciplined is to mean one who is well-learned or well-studied. A devotee to discipline is one who loves learning and, because learning is life, the pursuit of learning about ourselves and our world is that truest from of education. Therefore, rather than obsessing over the trite and meaningless accumulation of material wealth, social status, or even spiritual bragging rights, being disciplined — i.e. being focused on learning — is the best and most beautiful way of satisfying our insatiable need to grow or expand. A disciplined life gives meaning and joy to our very existence.

“Live as if you were to die tomorrow. Learn as if you were to live forever.” — Mahatma Gandhi

Skill

One of the greatest character designers in the world, Peter de Seve’s artistry is filled with imagination and whimsy. He’s one of the most formidable talents I’ve ever worked with.

“There is no pleasure in this world without skill.” — Alan Watts, Philosopher

Skill is the foundation by which we bridge our understanding of things. Without it, there is no way of comprehending our craft and therefore no way of achieving clarity or expressing our vision at its fullest creative potential.

“An artistic work is not an intellectual riddle seeking an interpretation or explanation. It is a complex of images — experiences and emotions which enters directly our consciousness.” — Yuhani Pallasmaa, Architect

One of my favourite buildings in the world, Frank Lloyd Wright’s Guggenheim Museum is a tour de force of architecture — creative, expressive and fundamentally brilliant.

Skill doesn’t just sit in the technical domain but also the artistic and creative domains. Each layer, each process of creation requires skill, and hence requires development. How do we build skill? We build it like how we build anything else — through education, organization, and discipline.

Let’s redefine those 3 dimensions as it pertains to being an artist:

  1. Education — the acquisition of knowledge, an environment for experimentation and feedback, and time for such knowledge to develop into understanding and real abilities.
  2. Organization — clear decision-making, order in terms of approach to the work (or workflow), and a schedule for development.
  3. Discipline — a devotion to a creative mindset and commitment to rigorous practices required for growth and excellence.

Do such things sound too hard? Well, nothing worth doing is ever easy.

“Behind every beautiful thing there’s been some kind of pain.” — Bob Dylan (lyrics from ‘It’s Not Dark Yet’)

Contrary to popular thinking, making art is one of the hardest, most courageous things one can do. That’s why I always stress the need to build strong rituals and for being prepared, for I know of very few truths other than the truth that our habitual behaviours mold us and that preparation gives us greater clarity and raises the probability of success. Good practices are one of the keys to fulfillment.

What a magnificent artist Egon Schiele was. A master of design, using only line and a few touches of colour, he expresses everything he needs to say.

Drawing is one such practice. An artist who doesn’t draw is like a musician who doesn’t play any musical instruments or can’t sing or read music. To ignore drawing hinders visual creation because “making marks” teaches us so much in terms of design, composition, and being able to layout tangibly a visual game plan that’s formed from our minds. It’s the seed of imagination. Physical practice engages the mind via the hands. It teaches us to see.

“The hands want to see, the eyes want to caress.” — J.W. von Goethe, Writer

Seeing is so huge. The lack of an artist’s ability to see holds him back. It’s a skill that needs constant development. When an artist draws, he caresses his eyes along and around the surface of the objects. He feels the weight, textural form and inner substance of the thing. The mental-visual filtering of the experience becomes existential knowledge and a connection between subject and artist is formed. This builds a base which then rises towards understanding, with knowledge becoming more than just mere information.

A Bigger Splash” is one of my favourite paintings ever. I just love the way David Hockney sees.

But seeing too, requires constant practice. All skills do. As we grow as artists, the base — which is our visual and intellectual skillset — must grow stronger and more expansive in order to support the rising complexity that our art demands. The most common mistake of beginners is that they ignore or forget their foundation when they begin to take on new or more complex challenges. This lowers their capability to learn new skills and express their ideas. What follows then is overwhelming frustration because the demonstrative failure is as painful as it was inevitable.

The strongest artists — masters of their craft — spend countless hours building their fundamentals skills. Patience is important. Like the star athlete who has developed over many years a strong, fast and flexible body that allows his talents to shine above all others, an advanced artist carries with him an excellent understanding of the technical and graphical aspects of his craft. For animators, that means powerful and expressive command of body mechanics and design principles. When such individuals execute their art, their skills become second nature and they’re free to focus primarily on the expression of their ideas, their foundational tools mere weapons in their arsenal in the battle for creative victory. Skill isn’t everything, but it’s always a required element for creativity to take flight.

What separates a master from other artists? Many things for sure, but skill is a large reason why Milt Kahl, even when doing mere tests, puts out work that shines far above his peers.

“Every artist was first an amateur.” ― Ralph Waldo Emerson, Philosopher