The Power of Monotony

Leo Tolstoy’s literary masterpiece War and Peace, whose length exceeds 1200 pages, would be difficult reading for the impatient modern day mind.

“Boredom: the desire for desires.” — Leo Tolstoy, Writer

Monotony is a word drowned in negativity. It automatically conjures up the boring repetitiveness that people dread. In times like ours, where life is supposed to be filled with varied fun and rewarded productivity all of the time, monotony has got to be the worse thing there is.

To me, sustained repetition — in reasonable quality dosages — can be very powerful and positively useful. There isn’t quite a synonym for the same word in a positive light, and that’s a shame, because monotonous activity has proven to be hugely responsible for testing our drive and expanding our abilities.

Arguably the greatest drummer ever, Buddy Rich (whose magic is clearly one of the inspirations for the film Whiplash) created many memorable performances. His talent cannot be described in words but the countless hours of playing and practice to build that kind of ability is understood if not obvious.

Strength, skill and intelligence are all built from repetitious physical action and remembering. We don’t learn things by doing it once. In fact, the human brain REQUIRES the reinforcement of multiple similar events in order to actually understand it enough that it alters our future behavior. In other words, we can’t learn anything without practicing it for a long period of time.

“Reading and writing, like everything else, improve with practice. And, of course, if there are no young readers and writers, there will shortly be no older ones. Literacy will be dead, and democracy – which many believe goes hand in hand with it – will be dead as well.”— Margaret Atwood, Writer

Personally, I like to make a point of doing some very repetitive activity everyday. It can be doing my rounds on the speed bag or just sweeping the floor of my painting studio. It can be doing the dishes. Whatever slow and repetitive activity it is matters little, for it represents a moment for the mind to rest, paradoxically, amidst physical activity. The body gets trained (muscle memory) while the mind is given time to process and recover from prior stimulating mental episodes. Doing art, or any craft for that matter, requires hard, focused concentration. We know that the brain does best between periods of inactivity. In spiritual circles around the world, practices of prayer and meditation are built on the foundation of repetitive chants, breathing and/or soft simple gestures like those in Tai Chi that lull the mind to sleep while being physically awake. The first thing well-trained soldiers learn to do is to clean and make up their beds and stations properly each day. Such habitual actions set things in  order.

“Train diligently and make it a habit — never let the skill leave your body.” — Yip Man, Martial Artist

My great grandmaster, the legendary Yip Man, took as long as one full hour to perform “Siu Lim Tao” the simple first form (a set of combat maneuvers) in the traditional martial art of Wing Chun. Most practitioners do it —with much less faithfulness — in less than 5 mins.

Any skills I’ve developed in my craft(s) have all been attained through very simple and monotonous activity; throwing thousands of punches daily focused my eyes, hands, and body while countless of hours spent drawing taught me to see and create. Just as time spent reading and re-reading the words of the creative and wise open up the mind, it is through such seemingly boring and repetitive activity that we can make or re-make ourselves in any fashion we see fit. It’s not easy, but it’s worth it. We are, after all, the summation of what we do, and not what we just think, feel or intend.

“If you wait around for the clouds to part and a bolt of lightening to strike you in the brain, you are not going to make an awful lot of work. All the best ideas come out of the process; they come out of the work itself.” ― Chuck Close, Artist

Artist Chuck Close in his studio. Don’t be telling Chuck that his work process is tedious — the man does monster-sized paintings while sitting in a wheel chair.

It’s true that repetition also tires. But that’s another favorable point; we build mental endurance and strength to battle both the fatigue and inattention that now plagues us and our society. We can become more resistant to all the noise, distraction and irritations that are constantly trying to take us away from ourselves. I know for instance, the more time I spent on my smartphone or on the internet, the more scatterbrain I become when doing simple tasks like reading a long book or even cooking a simple meal. A brain taught and conditioned to search, scan and react becomes one that searches, scans and reacts ALL THE TIME WITH EVERYTHING. The result is that monotonous skill building action becomes impossible to sustain; we get bored and do so too easily and too often, even with things that shouldn’t necessarily bore us. To see, feel and truly understand something, to do it right and to see with an open mind, requires slow attentive time spent with it.

“Boredom is the self being stuffed with itself.” — Walker Percy, Writer

Now, I’m not talking about abandoning or resisting technology, but to beware of its influences both good and bad. When was the last time you spent a long moment not thinking or reminiscing while doing a very simple task?  Do you always find yourself turning on the TV/computer or have your headphones on listening to music? The older I’ve gotten the more I’ve learned to appreciate slow monotonous activity. Its simplicity can be like moving meditation. As a result, I see better and I hear better. Time slows down and I don’t feel the need to be “entertained” all the time.

David Lean’s epic, emotional masterpiece Lawrence of Arabia, starring Peter O’ Toole, is a visual feast for the eyes, but it’s the director’s careful direction in slow scenes like this that allows the audience to take it all in and appreciate its wonders.

The great irony to the conflict we live with is that all the noise and busyness now condoned in our society is what I find to be truly tedious (and I’m not easily bored!) The perfect example is the many popular Hollywood films today; its equal parts of talking heads and VFX high-flying action makes for completely confusing and uninteresting “entertainment.” Texture and creative balance is not achieved switching between verbal noise and physical noise; art is created with thoughtful and nuanced displays of technique, genuine emotion and moments of reprieve from complexity or chaos. It’s the scene where the character slowly moves thru the streets in solitude, or the way he sits, head down with no words spoken that tells us more about him and his story than any fancy wordplay or rambunctious action ever could. Purposeful monotonous work, like the seemingly slow and steady moments in a well-textured film, give meaning, strength and balance to experiences.

Master animator Ken Harris at his desk. Animation (hand-drawn or otherwise) requires a lot of tedious labor. If you don’t like or can’t handle the process, then you probably don’t like the craft enough to do it.

Monotony is impactful and useful. So be patient. Take the time to enjoy those repetitive moments and milk their power. Find ways, both structured (planned events) and unstructured (everyday maintenance) to exercise your attention and presence in doing things. Alternate working and resting the mind. Creativity often lies somewhere between that exchange.

“How poor are they that have not patience! What wound did ever heal but by degrees?” — William Shakespeare, from Othello

Big Things, Little Things

The Gleaners by Jean-Francois Millet. Millet painted what mattered to him, which was often the working people of the land — those who did most of the hard living and dying in our society. His work is filled with dignity, empathy and humanity.

“Don’t sweat the small stuff and it’s all small stuff” — Richard Carlson, Writer

“Every man’s life ends the same way. It is only the details of how he lived and died that distinguish one from another.” — Ernest Hemmingway, Writer

The value of big things and little things in life can often seem contradictory.

Most of the time we equate the big and urgent stuff as what’s important. And it’s obvious that things like health hazards and safety can’t be ignored. (If there’s one thing that’s benefited from modern civilization it’s higher medical and safety standards). But we also know that not all things that appear big/urgent are really that crucial and we give them too much credence and weight, like for example, things such as material wealth and long-term security.

Most little things don’t matter yet we obsess over them repeatedly: urgent calls/emails, tiny annoyances, trivia or trivial behavior. But other times, it’s precisely the little things that help make things great or give us the greatest satisfaction. In my humble opinion, neither size or urgency is what matters. but rather the level of importance. We’ve got to choose what matters and focus your attention (time and energy) accordingly.

Let’s recall Stephen Covey’s 4 Activity Quadrants which center around importance and urgency.

From Stephen Covey’s classic book on leadership and management, The Seven Habits of Highly Effective People.

It’s obvious that we should spend most of our time on QI and QII activities. The more time spent on QII also means less time in QI (which include items that are the most stressful and taxing to deal with) because planning and prevention helps limit crises. Ignoring QII activities— the life story of most “busy” people today — lead to far too much time time spent in QI. QIII and QIV activities should be avoided altogether, for they are pure time wasters that serve no good whatsoever. But also remember this; a life undisciplined and poorly imagined will naturally default to one that’s spent doing unimportant (and oftentimes harmful) things — both urgent and not urgent —  if only because we are human and need an offset to being under tremendous consistent stress. 

Things that do matter:

Normal Rockwell‘s illustrations might be viewed as nostalgic or even idealistic, but the intent (and presentation) is clear and honest. Themes such as home, families, friendship, and joyfulness are essentially some of the best attributes American life can represent.

Big Things: (Things we let slide too easily, or delay and postpone as they’re usually not urgent.)

  • health (we think physical problems only happen to OTHER people)
  • truth (respecting/living according to well thought-out principles)
  • connections to family/friends/coworkers (Are you spending enuff time with people who care about you/vice versa, as opposed to “just” workmates out of convenience?)
  • home/environment (respecting your home and planet keeps you mindful of things outside of yourself)
  • discipline (it’s too important for any artist)

Little Things: (Because they take thoughtfulness but little time, we often forget about them completely.)

  • maintenance (of the self, the workstation & home)
  • sustenance (quality food, air and water)
  • healthy reprieve from routines (fiction/fun/laughter)
  • do nothing moments (peace and relaxation)

Things that don’t matter:

Time Magazine‘s controversial cover of the American presidency. Just because it’s big news (or just big noise) doesn’t mean we should be giving it so much time and attention. 

Big Things: (Loud or urgent things tend to look much bigger than they really are.)

  • politics (seriously, it’s important but it’ll suck your soul dry)
  • money (it’s important too, but not as important as you think)
  • status (An “image is everything” mindset is the epitome of narcissism)
  • time (it’s what life is made up of but all time is relative)

Little Things: (Looks small, and IS small but easily invade our purview.)

  • other people’s opinions/criticisms (toss and ignore!)
  • mistakes & imperfection (don’t obsess over it, for it shall pass)
  • unhealthy escapism (typical vices: uncontrollable use/abuse of drugs, sex, alcohol, media)
  • expectations (having high standards is not the same thing, learn to be detached)

How can this apply to our (art)work specifically? For example, in our animations, what might be most important? What’s big and what’s small?

Things that do matter as an Animator/Artist:

Big Things: (Solid planning, exploration and vision)

Sketches by Bill Tytla, exploring forms and staging for Disney’s Fantasia.

  • Composition (Overall layout)
  • Choreography (Rhythm and flow)
  • Staging (Key Poses)
  • Clarity of Expression
  • Decision (Appropriate Performance choices)

Little Things: (All the constructive parts that make up the whole)

In animation, no single frame is more important than another, but each one matters — every little detail. Progression of animation drawings by Milt Kahl done for Disney’s The Sword In The Stone.

  • individual poses/timing
  • LOA
  • POA/Arcs
  • Weight (Drag,Follow Thru & Overlap)
  • Spacing
  • Penetrations
  • Depth & Volume
  • Balance & Forward Momentum
  • Twists, Turns, Torque

Single image artists, such illustrators or painters, can add other elements to the list such as:

  • Color
  • Form
  • Line
  • Texture (tactile)

Digital color concept for Pixar’s Monster’s University by former Art Director, Robert Kondo (Co-founder Tonko House).

Things that don’t matter as an Animator/Artist:

Big Things: (Usually highly emotional things that deter us from the work)

  • obsessing over deadlines/overtime hours
  • bad feelings/disagreements with superiors (remember, it’s not your show/project)
  • concerns over competition, fairness and envy

Little Things: (Usually technical or numerical concerns that grab hold of our left-brain functions)

  • obsessing over technical details, like the look of the graph editor instead of what’s on screen (i.e. camera view)
  • copying/focusing on every detail in your reference instead of using your knowledge/creativity/instincts
  • worrying about speed (meet your deadlines but know that rushing only hurts results)

Understanding how graphs/curves work in Maya is important for every CG animator, but we mustn’t obsess over it.

At the end, artists are constantly seeking plastic ways of making a statement. If we employ those plastic elements appropriately (i.e. make the right choices) we’ll succeed. If we don’t — regardless of any display of skill — we’ll fail. Having a vision matters. Focusing on that vision, and only that vision, is essential.

Summary:

I recently watched a very funny film about acting and the life of actors. It had in it (besides excellent acting) a rather profound quote which I’ll paraphrase here:

“We have to put up with all the rejection, humiliation, cruelty and injustice. We must so that we can keep doing our craft. Because we’re actors.” — from the film No Pay, No Nudity.

In other words, its paramount that we overcome difficulty because it’s unrealistic to believe that it ever completely goes away. So let’s build the strength to do and focus on the stuff that’s important — urgent or not — whether they be big or small.