Inspiration

The Firebird Phoenix has been used as the symbol of rebirth since ancient Egypt, and has been adopted by many cultures, both Western and Eastern.

In light of the start of another year, I want to share a few quotes from some of the most inspiring creators whose words are both personal and wise. They are a reminder of the fact that life is a long journey, that it’s both challenging and unexpected, a constant birthing and rebirthing process where we must continually overcome the obstacles that might impede our focus as to what’s most important — working on our craft. They’re also a call to being true to ourselves at every opportunity, knowing that it’s our responsibility to become the best that we can be, as cliché as that may sound.

The following words are the kind that have kept me moving forward over the years so that I may not fall prey to that deadening complacency caused by fear or the pain of failure; they are a call to living fully and fulfilling a destiny. May they also inspire you to contemplate the power and responsibility of our work as creators.

On the creative life being a magnificent, mysterious and unpredictable journey:

“A man does not go forward through life along a straight, horizontal path; he does not stop at the station indicated on a timetable; he goes off the track completely; sometimes he dives below and is lost for a time, or he takes to the air and is flung against the side of a steep cliff… what goes on at every moment in the life of each and every man is something forever unfathomable and inexhaustable to relate. No man can possibly relate the whole story, no matter how limited a fragment of his life he chooses to dwell on. It’s in this mysterious aura in which we live and struggle which interests me profoundly.” — Henry Miller, Henry Miller on Writing.

On resistance, fear and the imposter syndrome:

“Self-doubt can be an ally. This is because it serves as an indicator of aspiration. It reflects love, love of something we dream of doing, and desire, desire to do it. If you find yourself asking yourself (and your friends), “Am I really a writer? Am I really an artist?” chances are you are. The counterfeit innovator is wildly self-confident. The real one is scared to death… fear is an indicator. Fear tells us what we have to do. Remember our rule of thumb: The more scared we are of a work or calling, the more sure we can be that we have to do it.” — Steven Pressfield, The War of Art

On the hope that our work has meaning and warrants attention:

“We know that the universe is infinite, expanding and strangely complete, that it lacks nothing we need, but in spite of that knowledge, the paradigm of human life is lack, loss, finality, a primitive doomsaying that has not been repealed by technology or medical science. The arts stand in the way of this doomsaying. Art objects. The nouns become an active force not a collector’s item… The cave wall paintings at Lascaux, the Sistine Chapel ceiling, the huge truth of Picasso, the quieter truth of Vanessa Bell, are part of the art that objects to the lie against life, against the spirit, that it is pointless and mean. The message coloured through time is not lack, but abundance. Not silence but many voices. Art, all art, is the communication cord that cannot be snapped by indifference or disaster. Against the daily death it does not die.” — Jeanette Winterson, Art Objects.

On the need for distraction-free time and silence:

“When I was a younger man, art was a lonely thing. No galleries, no collectors, no critics, no money. Yet it was a golden age, for we all had nothing to lose and a vision to gain. Today is is not quite the same. It is a time of tonnes of verbiage, activity, consumption. Which condition is better for the world at large I shall not venture to discuss. But I do know, that many of those who are driven to this life are desparately searching for those pockets of silence where we can root and grow. We must all hope we can find them.” — Mark Rothko, The Artist’s Reality

On working and love:

“… all work is empty save when there is love; when you work with love you bind yourself to yourself, and to one another, and to God. And what is it to work with love? It is to weave the cloth with threads drawn from your heart, even as if your beloved were to wear that cloth. It is to build a house with affection, even as your beloved were to dwell in that house. It is to sow seeds with tenderness and reap the harvest with joy, even as if your beloved were to eat the fruit. It is to charge all things you fashion with a breath of your own spirit, And to know that all the blessed dead are standing about you and watching.” — Kahlil Gibran, The Prophet.

14th Century Tibetan Mandala. Mandala’s have represented everything from beauty to spiritual growth and abundance.

May the new year bring great joy, good health and creative abundance to all of you who come here.

Drawing

Henri Matisse — the master who drew with paper.

“Drawing is putting a line (a)round an idea.” — Henri Matisse, Artist

I cannot over-stress the importance of drawing as an artist. Whether you’re an architect, writer, painter or a 3D computer animator, only drawing enables you to see with eyes wide open. Much has been said about our poor attention spans and our inability to stay focused. Drawing, both from life and imagination, strengthens those capacities.

“As a man is, so he sees.” — William Blake, Poet & Painter

This website has always been about the creative life, namely, artistic analysis and the work of other artists rather than about me or my own work. So, for the first time here on this blog, a rule will be broken; I will be showing a small sample of my own drawings, sketches, and studies all made somewhere between 15-20 years ago during the early part of my career. The lessor purpose is to show that, I too, practiced what is preached here, namely discipline and devotion to one’s craft. The larger purpose, of course, is to inspire you to keep drawing, as you most certainly did often when you first desired to become an artist.

*Please note that some of these images are of rather poor quality since they were photographed when hi-definition digital technology was neither convenient or affordable.

Figure Drawings:

My dreams of becoming a Classical 2D animator started naturally with lots of life drawing. Organized classes, after-school classes and additional drop-in sessions (at different institutions) filled many hours early on in my career. I cannot say enough about the wonderful teachers I’ve had in this area: Jerry Zeldon, Werner Zimmerman, and the late Walt Stanchfield.


Life Studies:

It’s very convenient to sketch what’s usually around. Great artists like Van Gogh, David Hockney and Paul Cezanne made masterpieces from found objects and life forms around them. Below are ink sketches I made of some horses and charcoal studies of my cats (oh, how I miss them!) Animals are always a pleasure to observe and draw.

Drawings from imagination:

It’s crucial to draw from imagination. Whether working from home or at the studio, I find it important to have a fun attitude when creating without reference. This is where I play, with no real goal in mind, with no fear and no expectations. You won’t know it at the time but here’s where your depth of understanding is truly revealed. The following sketches were done digitally.

On Location Sketches:

The opportunity to sketch exists everywhere at almost anytime. I’m especially stimulated when I travel, since new cities and cultures never fail to inspire. I like to draw anywhere from cafés to airport lounges. These were done inside a tiny 4″x 5″ sketchbook that I took almost everywhere I went. They capture memories far more powerfully than any photograph can.


Animation Studies:

To imitate and study the works of great artists has always been a huge part of my development. I spent countless hours copying and analyzing the works of major animation figures such as Frank Thomas, Ollie Johnston and Milt Kahl. The more careful character studies below were made drawing from model sheets while the sequential animation sketches were made by copying directly from VHS freeze-framing of live video playback on a 14″ TV (This was not easy!)

Drawing with Alternative Media:

Sometimes it’s good to switch mediums. Technically, painting is something different from drawing, but sometimes they are the same. Here are a few pieces done relatively quickly (under an hour) made successively in oil, acrylic, inkwash and watercolor.

In Summary, I only want to say this: I did not show these to demonstrate my meager skillset, for there’s much more to art than skill and study. In fact, I actually no longer draw in this fashion (since I’ve moved towards abstraction). The point is, that drawing is fun. It’s also helpful. So let’s keep doing it.

“The important thing is to keep on drawing … Never  graduate from drawing.” — John Sloan, Artist