Beyond Self

One of artist Yayoi Kasuma’s amazing Infinity Room installations.

“Foregoing self, the universe grows I.” — Sir Edwin Arnold, Poet

Perhaps the greatest thing we love about making art is that it commands the utmost out of us. When we commit fully, we forget about ourselves. And thus, we waste no energy on such abstract matters as success, money, recognition, or even goals. All our attention, all our effort, is swiftly and most efficiently directed towards learning and creating. Even the idea of accumulating knowledge or skill matters little, for the process of creation pushes us above that simplistic dimension. Everything serves the moment. And in so doing, one’s life becomes magically effective. It also becomes more generous and joyful — the forgetting of what has happened in the past and what might happen in the future brings great peace.

“Real generosity toward the future lies in giving all to the present.” — Albert Camus, Writer.

All too often, our thoughts dominate us. Modern society especially idolizes cerebral activity. It worships images and words, even when they prove, as they most often do, to be completely illusive or false. That is such a world most of us live in; all of us competing, comparing, judging ourselves and others all due to our deep and often un-confronted insecurity. Sometimes an obsession with thinking and living in that manner leads not only to great unhappiness but also mental illness.

Painter Edvard Munch, the pioneering expressionist most widely known for his painting “The Scream” suffered severe problems with bipolar and other forms of psychosis.

Thinking, in its right place, is useful. Knowledge and skills acquired have practical application for survival in the physical universe. But thinking all the time, incessantly, is counterproductive if not harmful. Thoughts, when self-serving, puts the mind in obstruction to being and in the way of creating. I know from personal experience and deep inquiry, that I’m most ineffective and inefficient when I allow the mind to dominate the present moment. And when I have done so in my craft, the results are always less than spectacular.

The critical mind that measures, condemns and justifies prevents flow. Since all thoughts are past registrations — thinking is essentially a set of prior accumulations of information, opinions and ideas — our prejudices stop us from being absolutely true and sensitive to what is actually and always new, that which sits directly in front of us right here, right now. Both life and our art requires our fullest capacity. Only when we forget the self and lose the desire to compete, judge, or complain can our minds truly operate in a manner that is free, fresh and alive. When the mind is quiet and liberated from distraction or prejudice, we find clarity and arrive at truth.

Truth is the offspring of silence and meditation.” — Isaac Newton, Scientist

The legendary Bill Tytla was deeply serious about his craft. Like all great animators/actors, he works to forget himself and become his character.

So we must ask, how serious are we about our craft? How serious are we about ourselves? Because if we are serious about our work and about who we are as human beings, we move in a direction that is conducive to real living — one of attentiveness and sensitivity. It means looking at life and our work as if we’re seeing with fresh clear eyes rather than “seeing through glass darkly.” Very few people on this planet are truly serious about living. They prefer to view the world thru coloured lenses, choosing to live for pleasure or in avoidance of pain.

Most of us live dominated by some degree of psychological fear, whether we are conscious of it or not. Even those who lively strictly, such as those who abide by the customs or practices dictated by established institutions are not so serious about life despite such apparent stoicism and devotion. Strict guidelines for work, play and family and devout conservatism is not the kind of seriousness we’re talking about here. Instead, we are talking about the kind of discipline that requires us to reject all conditioning, to unlearn what has been learned. The artist inherently knows this and he knows that he cannot follow another person’s way, regardless of their authority or its tempting path to material success. He knows it takes great personal responsibility to actually live free, unburdened by education or propaganda. He must find and live his own journey for truth because truth is not so easily found in books, rituals or authority figures.

“It’s life that matters, nothing but life — the process of discovering, the everlasting and perpetual process, not the discovery itself, at all.” — Fyodor Dostoryevsky, Writer.

Sometimes, as a teacher, I meet a student who wants answers, but in truth what he wants is results. What is forgotten, or clearly not realized, is that knowledge in itself is fairly useless (as proven by the fact that almost everything and anything can be found today on the internet). Even the mental grasp and understanding of something has limited usage. It is only when we explore — such as when we are free to play — can we possibly turn such mental, verbal information into something real, something experiential, something possibly exciting. Only then is there hope of realization. Until we realize the truth of something, we can’t truly understand it. This is why there is such failing in the entire education system, both inside brick and mortar institutions and at online schools. Knowledge is given, but know-how is not because know-how must be preceded by knowing why. And the only way to learn about the “why” is to look slowly, deeply and attentively at our work and more importantly, at ourselves. This requires both patience and the ability to ignore our mind’s propensity to tell us to hurry up and succeed. If there’s anything I’ve learned about learning is that information alone has no staying power. It’s bound to be ignored or forgotten.

This was the kind of math I was doing during my studies of macroeconomics in University almost 30 years ago. I never knew why I was doing any of this at all. Miraculously, I landed at the top of that class, but truthfully speaking, I succeeded only for the sake of succeeding. Hence, I didn’t understand any of it. I learned nothing then and I know nothing of it now.

Perseverance, secret of all triumphs. ” — Victor Hugo, Writer

It may not be easy but it is simple. If we persist, if we live generously in the moment — which means to be 100% attentive — then all things will work themselves out. Then maybe our thoughts can leave us alone (at least more often) and let other parts of our mind and the rest of our entire being do their proper jobs. The human being is an amazing thing. Let’s not waste it in the pursuit of nonsense. Living and learning (which is what discipline means) is the vision, rather than ambitiousness. Even goals are just temporary targets, placeholders to keep us moving forward. We only have to make sure we’re on the right path which means, of course, that we must know where we are now. Making art is a great way to finding out that truth, ironically, by forgetting; we find ourselves by foregoing our obsession for personal security. And the search for truth, like virtue, is its own reward.

The inspiring Yayoi Kasuma was berated and ignored most of her artistic career. Now, at 91 years of age, she’s regarded as a genius, someone who’s viewed as ahead of her time. But what’s important is that she found peace and her own sense of truth thru her work. Her complete devotion and passion for art drove her to continue despite the rejection and her long battle with mental illness. Today, Kasuma’s exhibitions/installations are the most highly-attended art shows on the entire planet.

“Every time I have had a problem, I have confronted it with the axe of art.” — Yayoi Kasuma, Artist

Women in Art, Part 1

“What would men be without women? Scarce, sir…mighty scarce.” — Mark Twain

Long overdue, this begins a series of posts dedicated exclusively to the often underrated and unsung women in the visual arts.

First off, women amaze me. Not only do they carry the burden of procreation, they’re most often the soul of the family unit and caretaker of children during their most vulnerable and formative years. Women can truly be said to be the foundation of society, one built on love. With all due to respect to my father, I know that I’d never become the person I am now without my mother. She tirelessly raised five children, worked full-time alongside my father building the family business (which was six to seven days of the week, usually seven), did almost all the cooking and cleaning and still managed to teach me what it meant to be human. She never spent a day not caring for or worrying about all us kids while helping others outside of the family in goodwill and charity. Almost my entire sense of what it means to be honourable, compassionate and generous comes directly from her. And she did all this with less than a grade three education and having to move the family from country to country across three different continents; I can’t imagine what she’d have accomplished with the privileges that I have received.

In the arts, and almost all fields in human history, women have been discarded, rejected and prevented from individual expression and creativity. Education and opportunity were severely restricted. It wasn’t even until as late as 1984 that the last state in America (Mississippi) would ratify the 19th Amendment allowing women to vote (which was officially passed in 1920). That’s the kind of suffrage women have had to endure, not to mention the psychological and often physical violence that accompanied a patriarchal society. That, of course, meant that we never saw much art, literature, musical, or acting accolades amongst the female sex. Still, there were women in history that refused to be imprisoned by such exclusion. The likes of literary giants like Mary Shelley, Jane Austin and Virginia Wolfe were proof of that as were great scientists like Marie Curie, Jane Goodall and (one of my heroes) Rachel Carson. Influential philosophers like Simone Weil, Ayn Rand and Hannah Arendt also bucked the trend. They were derided for doing so, but they did it regardless. That’s courage. In the art world, women’s roles in theatre were, for centuries, played by men while female designers and painters were rejected almost without exception, their talents squandered in limited supporting roles. But again, some would find a way.

In honour of the recent celebration of International Woman’s Day (which unfortunately has been superseded by our current crisis), here are some women in the visual arts who have shined despite everything, both in the past and now, even with the playing field still far from being level or fair.

Joan Mitchell, Painter

Joan Mitchell’s monumental art.

I love the art of Joan Mitchell. Her super-large scale paintings are filled with the brilliance of light and mastery of colour. As part of the second wave of abstract expressionists, she was one of greats of the modern art movement of the 1950’s and 60’s at a time when the big men of abstract art (Pollack, De Kooning, Mark Rothko, etc) dominated the fine art headlines, leaving most, if not all, women artists completely ignored. Her commitment to gestural abstraction was matched only by her same commitment to help young artists, as she generously took in young painters into her home and even after her death, left a designation in her will to continue to support individual artists with the Joan Mitchell Foundation.

Faye Dunaway, Actor

Faye Dunaway in Bonnie and Clyde.

A powerful presence on screen, Faye Dunaway could do more with a look or a glance than most actors today could do with a line. The blond-haired actress develops empathy and deep penetration even when she plays to her icy good looks and strong persona. She can be powerful or vulnerable, often times both as she was in the Roman Polanski’s classic Chinatown. She can be fun and wild as she was in her sexually vibrant role in Arthur Penn’s Bonnie & Clyde. In Sidney Lumet’s masterpiece drama Network, she’s brilliantly cunning yet elegant as news producer Diana Christensen With Dunaway, you can’t wait to find out what she’s up to next. Actors who go all in and expose themselves so fully on screen are rare; those like Faye Dunaway make the movies they star in practically pivot around them.

Mary Blair, Concept Artist

A video tribute to the work of Mary Blair.

One of the most magnificent concept artists of our time, Mary Blair is responsible for the look of many of the brilliant designs and stylings of Walt Disney’s films and theme park creations. From Alice in Wonderland, Peter Pan, Cinderella and Song of the South to the magical rides It’s a Small World and Tomorrowland, Blair’s work illuminates the senses. She was a mastermind of creative ideas and brought modern art into a craft locked into circular shapes and rubber hose characters. Brilliant with shape, colour and composition, her artistry defined excellence in illustration and art direction. There isn’t a concept artist today who’s not influenced by her work.

Sofia Coppola, Screenwriter/Director

Sofia Coppola behind the camera.

Sofia Coppola’s artistry is bold and fresh. The screenwriter/director has a great eye for moments. Like her famous father Francis Ford Coppola, her films have a distinct feel to them and they are uniquely her own. I loved Lost in Translation. Starring the irreplaceable Bill Murray and a young, yet to become famous, Scarlett Johansson, the movie explores beautifully the flowering of friendship, melancholy and nuanced romance. It’s a film the feels lost in time. In her most recent film The Beguiled Coppola showcases how far she’s advanced as a filmmaker, in particular her fine eye in direction and editing. Based on the novel A Painted Devil by Thomas P. Cullinan, Coppola turned the film on its dangerous edges, making the male-female dynamic of the story the center of attention and shockingly into a dynamite thriller. The film is lush, yet sharp, delighting the eyes while tearing at the tension bit by bit. It also made her only the second female director ever to win the Best Director prize at Cannes in 2017.

Jillian Tamaki, Illustrator/Graphic Novelist

Illustration by Jillian Tamaki

Jillian Tamaki is a magnificent young illustrator working today in a field currently dominated by photography and digital wizardry. Yet her work continues to shine and shine far above them. Her artistry is whimsical, graceful and elegant. As creator/illustrator of Super Mutant Magic Academy, Skim and They Say Blue and illustrator of numerous magazines and books, she’s won the Eisner, the Caldecott Honour, Society of Illustrator’s Gold Medal and has received the Governor General’s Award — Canada’s highest honour for a civilian — twice. And her touching graphic novel This One Summer, co-written with her cousin Mariko Tamaki, is one of those special creations; a book of tenderness and truth, beautifully illustrated. It’s masterpiece that skips along and touches the heart at its edges and then penetrates with time. Looking at her drawings always charms and lifts one’s spirit.

This concludes the first in our series of Women in Art. More will be coming. In the meantime, please check out all the work of these great artists for you’ll be well rewarded.