Control?

I love Gene Wilder’s controlled yet wildly whacky character Willy Wonka. Wilder was an actor of great courage and comedic power who presented a believable combination of innocence, sincerity and zaniness.

People are always trying to control things: their finances, their feelings, their children, even what people think of them. A lot of effort often exercised in futility. In reality, there’s not much you can really control at all. In fact, so much of what happens seems so random, so irrational that we feel overwelmed by our efforts to manage it. Despite all our accumulations of knowledge and history, we still barely learned to understand ourselves or to be genuinely civil with each other. We’re fearful of the known and anxious about the unknown. We have no peace. So most of us tend to approach day-to-day living with great trepidation or under great fatigue from doing so while others pretend our problems don’t exist or even matter. Ultimately, all our efforts to control or ignore reflects our desire for security or our fear of uncertainty.

“There is only one way to happiness and that is to cease worrying about things which are beyond our power or our will.”― Epictetus

Unfortunately, life is uncertainty realized — insecurity is the norm! At the end of the day, we must realize that the truth is that most things are outside our capacity to understand or control and no elaborate economic, social or religious system to date has been able to remedy this dilemma. The key, it seems, is to accept that the idea of complete control is itself illusory. This is the first step to understanding how to live. It’s also the first step towards genuine existential maturity.

“There is great wisdom to be found in insecurity.” — Alan Watts

To try to control life when so much is uncontrollable is to fill one’s life with continued conflict, a neverending battle to satiate desires and to alleviate fears, to cling to life and dread death, an elaborate and ever-evolving scheme to avoid risk. But to be alive is to the take risks, to follow those urges that aren’t always so rational because important life decisions are beyond measurable cost-benefit analysis. And in taking such a journey, man is free to be himself and head along the path of not mere self-improvement but self-discovery. He’ll also find, ironically, where he has actual control, or agency, over his life. These are, in non-hierarchical order: (1) where he places his attention, (2) what his attitude is and (3) the action that he ultimately takes.

Attention:

We’ve talked ad nauseum about attention. But to sum it up succinctly, attention is love. It’s passion joining perception. It’s seeing, hearing and understanding over just casual looking, listening or the mechanical collection of data. Attention has no cause; it’s engagement and, in that engagement, we lose the self. We become receptive and satsifyingly vulnerable — like that wonderful feeling of falling in love. We all know it’s impossible to love anything without complete susceptibility. Attention, like love is, selfless. It’s why I love making art because art is a great tool for learning how to love. And this loving attention is always ours to give.

“Attention is the rarest and purest form of generosity.” — Simone Weil

Attitude:

A situation may be joyous or grim on the surface but how we feel about it depends on our attitude. We can elect to be cruel, negligent or stingy or we can alternatively elect to be kind, thoughtful and generous. Others can influence our minds and thoughts but attitude is ours. This is not about feelings, for feelings are feedback, a reaction. Attitude is a choice — a response which we can learn to manage and exercise. And hence, we must be especially diligent when it comes to guarding ourselves against wanton negativity and non-constructive criticism. Sociological studies have shown that those who hang around violent people quickly begin to exhibit violent behaviour hence it’s wise to be in the company of the kind, caring and creative. Having an inspired attitude makes any challenge less daunting.

“Weakness of attitude becomes weakness of character.” — Albert Einstein

Action:

Sometimes, when things get rough, it seems like we don’t have a choice but we always do. For instance, someone may threaten or torture me but they could never make me do the same. Non-action is an action we can always take as an alternative. At the same time, doing nothing can also be the wrong thing; the opposite of love is not hate but negligence (i.e. to ignore or give no attention to). The artist, for example, should always do rather than don’t do. He should be direct in life as in art. To ignore one’s deep creative urges is to deny talent and destiny. He should make his art regardless of resistance. He might not get paid nor be recognized currently for his authenticity but he will have, at the minimum, been true to himself. And in that, there is strength and meaning if not vindication. Action is a demonstration of real faith, not the faith in false idols and institutions but faith in process and in the universal order. The spirit can not come alive without action. Furthermore, it’s the actions we take that define who we are.

“We are, what we repeatedly do.” — Aristotle

Just Do It (Make Your Art)

The ever-resilient Frida Kahlo. From love lost, alcoholism and numerous incapacitating surgeries, she had every justifiable excuse to stop making her art.

“Righteousness of behaviour is not something to be gained, to be arrived at, but it must be understood from moment to moment in the actuality of daily living.” — J. Krishnamurti

To work right is to balance action with analysis, to join passion and perception. It means turning our attention towards learning and to raise our skills. This requires time and work (energy). It means living day to day, making one drawing, one brush stroke or one movement at a time. When we’re doing our art, it’s not the time to think about the past or future, or about external issues. We have no agency over those things. They’re just distractions from creative living and act as resistant forces against taking creative action. In art, we create, we design and we do.

“Make good art.” — Neil Gaimen

Yes, we all know it’s hard. We’re always too busy, too tired, too “whatever” these days. Just the other day, I, too, fell upon the spell of resistance; I felt lazy, dumbfounded and lethargic. And there was a laundry list of “other things” to do too. Heck, I even had a bit of cold along with some back pain. But they were all excuses and I knew it. Such a moment is always a test of the will. It’s the universe saying once again “is this all you got? is that your level of commitment? Perhaps you’re not the artist you think you are! (how rude I say!)

Where there’s a will, there’s a way. Bruce Lee was the perfect embodiment of such spirit.

“Do rather than don’t.” — Irwin Greenberg

Then, I remember that where I put my attention defines my state of being. So I drag my ass into the studio and begin. I go through my rituals that get me going. I say no to everything else. I prioritize. I organize. I get my hands dirty and take the bull by the horns. It needn’t be a complicated thing; just start. Almost immediately I felt better. Why? Because I’ve already won the battle by making the first move, a move that says a decision has been made; I’m gonna do my art and I know that I’ll be rewarded for it.

“The first step is the hardest.” — Marie De Vichy

And how do I know this? Well, because it might be the only thing in life that’s fair. In art, you get what you put in. The rest of human life can be so remarkably cruel and confusingly random. But in art, the feedback loop is immediate. If you look hard and listen carefully it tells you everything you need. When you’re off, you’ll get the alarm bells. When you’re into the flow of it, you’ll soar like an eagle. But no matter what, whether we’re conscious of it or not during the effort, making art brings meaningfulness. It teaches you to love, which is giving of one’s attention to something. And in that, we find joy. Not pleasure — which can be fleeting — but joy. You always feel good that you put in the time and energy, and this is regardless of outcome. And since the karma of art works out this way, we can confirm the process without fear — for fear is the great destroyer of art — and endure the hardship. This is not “the way” for most (non-creative) people; a life devoted to art requires taking the less travelled path, a path towards truth.

If you work just hard enough to understand it — well, then it makes your life so much easier. That seems like an obvious truth, but you’d be surprised how many people won’t take that route.” — Milt Kahl