Going Off Course

Sargent

Bridges of Sighs” by master painter John Singer Sargent. In my humble opinion, Sargent’s loose and playful watercolor studies, done when he was free from commissioned work, have more vigor, life and beauty than even his masterpieces in oil paint.

“I need to be alone. I need to ponder my shame and my despair in seclusion; I need the sunshine and the paving stones of the streets without companions, without conversation, face to face with myself, with only the music of my heart for company.” – Henry Miller (from Tropic of Cancer)

First off, my apologies for “disappearing” for a couple of weeks. This blog is now almost a year old, and I’ve kept the posts going pretty much weekly since its inception. However, there are times in life when we need to go “off course” – to be free of routine, free from habit (even good ones) – in order to be re-routed or reminded about how to live. As artists, it’s essential that we take stock once in a while. In business it’s called taking a snap shot of your company by looking at the balance sheet, to see what you’ve got and where you’re at. In life it’s a hard look at the now, a pure and unbiased reality check on the totality of life.

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Image from a segment directed by the kind and talented Roger Allers (co-director of The Lion King) from the Salma Hayek-produced animated film based on writer-poet Kahlil Gibran’s beautiful book, The Prophet. This unique independent film boasts the talents of eight different directors and numerous visual artists.

Taking time out is something many artists in this industry forget to do. Fearful of not having stable employment, constantly looking for or setting up the next gig has become the routine of the animation artist. It’s a chaotic way to live and a rather large price to pay in order to do what we love. Where does family, friendships and personal time fit in? Should they not be our priorities, rather than an afterthought?

My own recent dilemma – contemplating a huge change in lifestyle that might bring both excitement and joy but also a return to daily challenge and uncertainty – has in itself forced me to take stock, to see and ask what I myself really want and how I’m most useful in the rather short time that I’m here on this planet.

SongOfTheSea

The Song of the Sea is a gorgeous hand-drawn film by Tomm Moore, who also created the wonderful Secret of Kells. Nominated for an Oscar in 2015, the film is a beautiful exploration and expression of grief and magic done in a visual style that’s fitting for this moving Celtic Tale.

And of course, we can only assess our situations properly if we step back or away. Taking the time to breathe while falling off course or being lost can sometimes serve as a great reminder of the things that make us who we are. Some routines, such as daily drawing, painting or writing were dearly missed as I wandered. As strong creatures of habit, human beings don’t do well without routine. And as long as those routines are healthy, both mentally and physically, we know that they serve to strengthen our resolve and better our lives. Being away from that re-affirms their necessity.

Blacksad

BlackSad. Juan Díaz Canales (writer) and Juanjo Guarnido (artist) created magic with their anthropomorphic noir-styled graphic novel crime thriller.

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Watercolor studies done to explore color and atmosphere for Blacksad. Juanjo Guarnido’s artistry is beautiful in concept and execution with each panel and page carefully planned and constructed.

It’s good as an artist to always remember to see things in a new, weird way.” – Tim Burton

The other good thing that taking time out does, is it allows us to refresh ourselves, a chance to reboot our initial drives and dreams. Abandoned goals and “to-do” lists get a second chance. In the studio, I’ll wipe out everything on my four by six feet wall-mounted whiteboard that I use to set weekly goals or meetings and turn it into a place to play with my immediate future. I’ll do some free-form or visual mapping – a brainstorming technique that allows ideas to organically and sporadically form – to help me. Sometimes a new story or creative idea evolves, while at other times, the idea of calling or visiting an old friend pops up. Now that it’s visually in front of me, it gives me the extra push to make the commitment.

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Visual mapping page  by Steal Like an Artist author, Austin Kleon. Kleon is a big fan of using visual mapping and here he does one after reading John Berger’s book on the Ways of Seeing.

“The moment one gives close attention to anything, even a blade of grass, it becomes a mysterious, awesome, indescribably magnificent world in itself.” – Henry Miller

Taking time off from creating and working diligently also allows us to see clearly again. Every artist knows that if you stare at something for too long (especially your own work) you can no longer see its faults. It’s why counsel or coaching is often necessary to improve our skills because objectivity is not possible when our senses have become conditioned to its surroundings.

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The beautiful art of Vincent Van Gogh has become so commonplace that people forget its beauty. Look at something long enough and you won’t see what you saw before. Our perspective changes with time and exposure.

Things that looked special, stop being so special. Things that looked off, start to appear okay. Our eyes (and senses in general) adapt so we don’t become obsessed or overly sensitized to our environment. In harsh times, that’s good for survival but as modern-day working artists, we must never let that happen for any sustained period of time. We must keep a higher standard. We must stay fresh.

“What we need is more sense of the wonder of life and less of this business of making a picture.” – Robert Henri

Of course, falling off course sometimes is just that – a much needed break from being on course. Even the best of artists, writers and musicians go into periods of non-thinking voids, free from actual physical creation.

“To be silent the whole day, see no newspaper, hear no radio, listen to no gossip, be thoroughly and completely lazy, thoroughly and completely indifferent to the fate of the world, is the finest medicine a man can give himself.” – Henry Miller.

Vacations are hard for me personally. My wife teases me, often saying that I don’t know how to relax or do nothing. This period of a lack of productivity drives my mind mad with guilt, sadness and discomfort. It’s practically clinical! But time off is healthy and this obsession with productivity (or success for some people) has become the common malaise of our times. Our accelerated lifestyle and our easy access to technology make taking time off a near impossibility. It takes strong unsung discipline to do nothing these days.

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The prolific Norman Rockwell, seen here in his studio, painted his last commissioned painting at the ripe old age of 82, two years before his passing. There is no greater activity for an artist than that of the act of creation.

Finally, the most beneficial aspect of time off is that it propels us to get back to our business of doing art, but hopefully with greater vigor and new found inspiration. As we return to our craft and accept the impact we might have on others, we know that this is what we’re meant to do. And that, when all is said and done, is very re-assuring.

“I suppose the only word for me, when the chips are down, is that I am an artist.” – James Baldwin

Outside Inspiration

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Beautiful juxtaposition of colors and shapes depicting diversity, culture and joy make this “Small World” concept piece by Mary Blair beautiful and meaningful. There aren’t many artists in history that have had as much visual influence and creative contribution to the world of animation (and Walt Disney Feature Animation in particular) than this legendary illustrator.

“I begin with an idea, but as I work, the picture takes over. Then there is the struggle between the idea I preconceived… and the picture that fights for its own life.” — George Baselitz

All too often animation artists get way too confined and limited when it comes to our influences. We might look to our peers, industry greats, and existing animation or live action films for answers and inspiration but we seldom go beyond that. Unfortunately, by limiting our exposure we end up not only recycling what has been done before, but we fail to find new ways of seeing and re-interpreting the world around us.

The history of art is immensely grand and thus extends far and wide in terms of medium, culture and geography. Sometimes it’s best to move away from our world and into other worlds — such as the realms of painting, sculpture, comics and illustration — to see what we can discover and learn from them. Each individual art form may be particular and uniquely challenging, but at the same time they all share many of the same attributes in terms of appeal, creativity and connection.

“Great art is the outward expression of an inner life in the artist, and this inner life will result in his personal vision of the world.” — Edward Hopper

When exhausted from one’s regular routines it’s refreshing to switch gears. Entering the colorful and expressive worlds created by other artists is a great way to remind ourselves that there’s an everlasting supply of inspiration all around us. And it’s always good to be shaken and stirred once in a while by artists whose contributions to their craft have altered the way we see things.

Here is (only) a small selection of visual artists who have inspired me and countless others:

michelangelo-david

The work of Michelangelo Buonarroti is so common, that his creative influence has almost been forgotten among everyday working artists. The weight and power of his work goes way beyond the mere materials of paint or stone. The immensity of his art — the depiction of weight, bulk and torque — demonstrate a deep vision behind his craft and his respect for the medium. Like other masters of the renaissance era, he held his work to the highest possible standards, his own.

MaxErnst

Max Ernst‘s artistry is fun, absurd and immeasurably creative. His playfulness with forms, color and shape I believe would lend itself beautifully to the animated form. A brilliant surrealist who worked in a variety of medium, Ernst always delivered the unexpected, something sorely lacking in film and animation today. Wouldn’t you love to animate that thing, whatever it is?

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Argentine comic book artist, Alberto Breccia is a legend in the industry. His work is wild, immense and beautifully stark. His powerful imagery and brilliant composition have had a huge influence in the comic book industry.

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One of my favorite artists of all time, Edward Hopper is an icon of great American art. Built upon elegant compositions, bold colors and rich humanistic themes, his paintings capture a time and place in American life like no other.

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Arthur Rackham is a master of children’s book illustration. His depictions of ancient folk tales and children’s stories set the benchmark in pen and ink work. This gorgeous illustration for Alice in Wonderland is elegant, frightening and magical all at the same time.

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George Baselitz is a post-modern German Neo-Expressionist whose work often depicts things upside down reflecting his difficulty in celebrating humanity in the wake of all the tragedies that have taken place in the world. His art is controversial, magnetic, colorful and bold.  As one of the  most celebrated living artists today, he has worked as a painter, sculptor, printmaker and draughtsman. Great artists are often diverse artists.

BernieFuchs2

Bernie Fuchs is a master illustrator from the 20th century whose artistry influenced numerous artists of his time. Working in a loose yet deliberate style, his work displays unique and beautiful compositions that not only create balance and appeal, but are able to depict even the most subtle atmosphere and story. Because of his marvelous arrangement of shapes and colors, I never tire of looking at his art.

GeraldScarfe

Gerald Scarfe‘s wildly expressive pen may help make his work unique among modern day illustrators but it’s really his creativity that truly shines. Between those wonderful scratches and flicks of ink, are ideas bursting with satire, flavor and fun. He’s another great illustrator that  Disney (for the film, Hercules) used in hopes of introducing a new style and look to their library of films.

HenryMoore

One of the favorite exhibits I’ve ever experienced is that of the work of Henry Moore. His organic shapes and play with dimension, line and form are so incredibly beautiful, you feel involved – you don’t just see the work,  you experience it. The massive size and boldness of the work invite your curiosity and you feel at once welcome and alienated at the same time.

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The fact that Dino Battaglia is one of lesser known comic book illustrators in the world is a great tragedy. His compositions are so distinguished and the imagery so fantastic, that to this day, I’ve not seen anything like it. His use of perfectly balanced black and white values, and interplay of thick and thin scratched lines and patterns give his work an immensely pleasurable texture. His adaptations of many classic novels and short stories are true collector’s items.

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The creativity of Salvador Dali still hasn’t been fully explored. An artist of immense classical skill but with a wild and fantastical mind, Dali created work so distinct that his work came to define what is now known as surrealism. Walt Disney himself was a huge fun, and tried hard to bring his genius into the studio. Perhaps it’s time to try again?

Eugène_Delacroix_-_Study_for_the_War_coffer_-_WGA06247

This fantastic drawing by Eugene Delacroix is exactly the kind of work that relates well to animators. The search for form, movement and feeling are regular occurrences in the work of this French master. Artists working in our modern tool of 3D computer technology would do well to both study his art and find ways to bring that kind of vitality into their work.

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Swiss artist Alberto Giacometti is a giant among sculptors. His work has such great energetic quality to it despite its seemingly fragile form. He makes such wonderful use of open space — creating an unexpected void — that helps transform both the art piece itself and the space surrounding it. Why haven’t we (in animation) dared to play with such extreme shape and caricature in a craft whose most distinguished principle is exaggeration?

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Pablo Picasso‘s work needs to be studied and learned by all artists. You don’t have to love him or his work, but you’d do well to respect his artistry.  At a time when art had been so complacent and institutionalized for so long, Picasso came out and shook the world, breaking one taboo after another, challenging the way we see things and the way we do things as artists. He truly is the ultimate “father of modern art.”

In summary, this is just a small sample of the many artists that I’ve looked up to and found inspiring. You need to search and find who and what moves you. I always recommend that all animation artists visit as many shows, galleries and exhibits as possible to see in person the great works by artists world over. There’s nothing like seeing the real thing. Museums are the treasure troves of history — a physical (yet hopefully not final) resting place that remains a record of our most valuable contribution to mankind, our art.

Animation, as an industry, is at a place where we’re beginning to get very tired of witnessing the same stories, imagery and execution. Help re-boot and re-fresh this craft by looking back and elsewhere for inspiration.

“All the sculptures of today, like those of the past, will end one day in pieces…So it is important to fashion ones work carefully in its smallest recess and charge every particle of matter with life.” — Alberto Giacometti